Japanomania in the Nordic countries, 1875-1918 : [exhibition, Ateneum Art Museum, Finnish National Gallery, Helsinki, Finland, 18 February-15 May 2016; National Museum of Art, Architecture and Design, Oslo, Norway, 16 June-16 October 2016; Statens Museum for Kunst, Copenhagen, Denmark, 19 January-21 April 2017]
Bibliographie
- Auteurs : Weisberg Gabriel P. (1942-....) ; Bonsdorff Anna-Maria von ; Selkokari Hanne ; Ateneumin taidemuseo ; Nasjonalgalleriet ; Statens museum for kunst ;
- Editeurs : Brussels Mercatorfonds ;
- Date d'édition : Copyright 2016
- ISBN : 978-94-6230-121-4, 94-6230-121-2, 978-952-706724-6, 952-706724-3, 978-0-300-22011-7, 0-300-22011-1
- Sujets : Japonisme -- Catalogues d'exposition -- Europe du Nord, Art, Art moderne, Catalogues d'exposition, Ateneumin taidemuseo -- Catalogues d'exposition, Nasjonalgalleriet, Statens museum for kunst
- Autre(s) édition(s) : Japanomania im norden Europas, 1875-1918
- Langue(s) : Anglais
- Description matérielle : 1 vol. (296 p.), : Ill. en noir et en coul., couv. ill. en coul., 30 cm
- Pays de publication : Belgique
- Collection (notice d'ensemble) : Ateneum publications, Vol. 75,
Notes
La ressource existe aussi en version allemande ; Bibliogr. p. 290-291. Notes bibliogr.. Index
Résumé
L'éditeur indique : 'This extensive publication, complete with hundreds of illustrations by such renowned artists as Carl Larsson, Edvard Munch, Vilhelm Hammershoi, Pekka Halonen, Akseli Gallen-Kallela, Christopher Dresser, Pietro Krohn, Alf Wallander, and Frida Hansen, among others, offers an unprecedented study of Japanese influence on the visual arts in the Nordic countries. This unlikely diffusion of Japanese culture, known collectively as Japonisme, became increasingly apparent in England, France, and elsewhere in Europe during the 19th century, although nowhere was the influence seemingly as pervasive as it was throughout the Nordic countries. The book reveals how the widespread interest in Japanese aesthetics helped to establish notions of a fundamental unity between the arts and transformed the region's visual vocabulary. The adoption of Japanese motifs and styles in Finland, Norway, Sweden, and Denmark provided a necessary cohesion to their existing artistic language, forming a vital balance within and among all of the applied arts.'