This exhibition shows the traditional aspect of Bamana society, primarily in Mali, while emphasising the aesthetic aspect of these antelope headdresses made from sculpted wood, engraved and painted with their acquired patina, in varying shapes and materials according to the regions and over time.
The dances of chiwara society are tied to agricultural rites, and therefore to the notion of fertility, fecundity and sowing. In attempting to master the forces of nature - imitated by the faces of the antelope headdresses during ceremonies - the men seek an ally in animals.
These headdresses, typically worn in pairs, have different uses depending on the village. But they always represent objects of unity and protection for the community, particularly as they can be seen by all, rather than being reserved for a select few.
Widely found in Mali, the chiwara cult is gradually declining.